
That the waltz-drunk "Duidu, Duidu" and its relaxed counterpart "Dudidubidu" are actually only a short hop, not much more than "a warm embracing dance away" from each other — this has been clear to the masters of Mnozil Brass for a long time. For over thirty years, the seven virtuosos have been effortlessly moving between Johann Strauss and Frank Sinatra, between Shostakovich and Prince, or passionately from Schubert to their kindred spirits from Queen, with their sparkling brass instruments. The sacred grandeur of one side matters as little to them as the supposed banality of the other. But Strauss — whom both Brahms, Wagner, and Verdi, as well as craftsmen and girls from the suburbs (and even Gershwin) passionately adored — was the pioneer of nonchalant flirtation between the stools. Strauss was the first to produce hits at a meter, he hired an arranger to work faster, and understood that he could reproduce his sound worldwide with his brothers. He was the first to break the rules of E and U and became a mass phenomenon as the Waltz King — never did the cash registers ring sweeter. In Strau$$, Mnozil Brass now reveal everything about Strauss. Even the last thing. In the end, nothing remains but the naked truth. A project commissioned by Johann Strauss 2025 Vienna.
Kultur- und Kongresshaus am Dom
Leo-Neumayer-Platz 1
Source: Eventim
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