
The ominous "right to the first night" of various counts in relation to their chambermaids as an imposing case study on the decline of the nobility in the 18th century. Susanna informs Figaro that the Count has indeed renounced the old Ius primae noctis, but not Figaro's Susanna. And other dangers threaten Figaro...
Staatsoper
Opernring 2
Source: falter
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